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research & conferences
Religion & Performance
Performances of white Christian nationalism
My applied project (see Compassionate Post-Evangelical Theatre) already uses a degree of religious sociology research in its background and execution, but I also plan to present a paper at the UCLA grad student conference on the performances of White Christian Nationalism (WCN). While the carrying of overtly bigoted flags into the US Capitol during the January 6 insurrection represent the most memorable performances and symbols of white Christian nationalism in the contemporary United States, this ideology has much more “mundane” performances that appear in many other sectors of day-to-day life, including Christian arts & popular culture, church services, and social media.
Shame & hegemonic masculinity
Using theatre to break the cycle
One inquiry I have pursued centers on the role of shame in reinforcing structures of hegemonic masculinity, particularly among adolescent boys. Pulling from scholars such as bell hooks, Peggy Orenstein, and Brené Brown, I outlined a theory for a hegemonic masculinity shame cycle, pictured here. I have also considered how we can use theatre as a method of interrupting this cycle by fostering connection, rehearsing alternative performances, and encouraging shame regulation. Please contact me for more information or portions of my papers.
Distance & Connection
Using Onwueme & Brecht to foster compassion
In July 2021, I presented my paper titled "Distance and Connection: Using the Alienation Effect and Onwueme's 'The Drama of Commitment' as a Lens for Compassion-Oriented Theatre" at IFTR's New Scholar's Forum. This paper centered on the work of these two scholars and how we might combine their contributions with research in psychology to consider strategies for directors in moving people beyond empathetic feeling into compassionate action.
theatre and Empathy & compassion
While a student at Texas Christian University, I had the opportunity to complete an undergraduate thesis titled "Understanding Theatre's Potential for Fostering Empathy and Compassion" under supervising professor Alan Shorter. Professor Lydia Mackay and Dr. Sarah Hill also served on my committee. This paper explores the existing literature on empathy, compassion, storytelling, and their relationship to theatre. It includes a psychological study of how viewing theatre impacts empathetic attitudes among audience members (a study I had the opportunity to present at the Society for Personality & Social Psychology Conference in February 2020, pictured to the right). The paper dives into an analysis of the overlaps between Stanislavski's techniques/ideas and the development of compassion, and it finishes with a proposed curriculum for a compassion workshop using the techniques of Stanislavski and a variety of other theatre practitioners. Feel free to contact me to ask for a copy of the paper.
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